Julia D. Lindenlaub presents the Gospel of John's deliberate emphasis on its status as a written literary composition as modelled on antecedent esteem for authoritative written texts in ancient Judaism. The gospel's creative representation of its authorship reveals a correspondence between scripture and gospel and therein an overlooked motivation for its preoccupation with the written medium. The Gospel of John attributes its authorship to the work of a 'beloved' disciple, whose role in the sto ...